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Hip Hop Music THE HISTORY OF HIPHOP
Hip Hop Act
The roots of hip hop can be traced to an array of musical styles which existed before it was conceived. A common factor among all these styles is that they had been inspired by African musical styles. These parent styles include African-American gospel, folk, jazz, blues and R&B. Afro-Caribbean styles such as calypso, salsa, soca, ska and reggae can also be cited as the earliest influences for the birth of hip hop music. The question then remains as to how all these styles fused to the genre of music that has inspired as many fans as critics.
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The history of hip hop begins in the early 16th century, when natives of West Africa were being transported to North and South America where they were condemned to work as slaves for the rest of their lives. These Africans brought with them oral and music traditions to their new lands. These traditions were carried over through the generations and evolved to be a medium of resistance for the slaves as well as a unifying spring of comfort. They later transformed into spiritual songs which were then termed as negro-spirituals and ballads. Today, these songs are still sung as popular hymns.
Eventually, as the slaves were assimilated into Christianity and began forming their own churches, the form of music that had originated from Africa spawned a response rhythm between a congregation and the presiding minister. Simultaneously, styles of music such as jazz, blues and soul began permeating this musical culture of the south where a large population of blacks was found.
A mixture of these musical forms was introduced into Jamaica during the 2nd World War by virtue of the American soldiers who were posted in the Caribbean. The dominant musical style in Jamaica was reggae and a concept known as versioning was widely practiced. Versioning occurred when an artiste would create and record a song which would become vastly popular. This popularity would result in the coming up of other artistes to make different versions of that same song. This is similar to what is termed as sampling in hip hop.
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DJs were very popular in Jamaica and they would put up temporary discos in rented buildings or even the streets. This practice was very competitive and out of this competition, a concept known as toasting arose. Toasting referred to a DJ doing either improvised or scripted talking while a song was playing. Most of the times, this talking was in the form of jabs aimed at rival DJs. Talk over and dub arose as two new forms of reggae from toasting. Talk over referred to the recording of a DJ toasting a particular tune. Dubs included the use of talk over as well as sound effects like echo and reverberation.
Clive Campbell was a 13-year old Jamaican immigrant who brought this practice of toasting and dubbing to the streets of New York. Campbell got himself a large sound system, adopted the stage name of Kool Herc and became a DJ. Being a rap DJ, he would rap using the microphone while making in-house references. As this practice was quickly duplicated along Brooklyn and Manhattan by other DJs, the foundation of hip hop was thus laid.
THE SARI (W)RAP VIDEO – Rasika Mathur
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